Why the world needs an Advanced Style film

My friend Ari Seth Cohen, the talent behind iconic blog Advanced Style, is in his most productive moment: hard work, creativity and years of walking the streets of New York sourcing the greatest-looking old ladies are being rewarded. Not only has he just published his first book, a totally great compilation of his best pictures and his most fabulous models (including an inspiring conversation between Dita Von Teese and 92 year-old cabaret performer and artist Ilona Royce-Smithkin - now try to top that - about style and age) which you can buy here; he has also teamed up with filmmaker Lina Plioplyte to work on an Advanced Style documentary. In it, we will get to know more about Ari's ladies, their treasure-filled wardrobes, the way their style has flourished through the years and, perhaps even most importantly, their secrets to being happier, more active, self-assured and more fulfilled than ever in their 70's, 80's or 90's (sometimes even 100's). In a world obsessed with youth and despondent about wisdom and personality, I think this documentary would be a priceless healing experience. But, in order to produce the film (as Ari is like you and me, not a Hollywood big shot and anyway Hollywood would probably have Nicole Kidman playing Ilona Royce-Smithkin), Ari and Lina have to raise 35.000$. It looks like a fairly big amount, but that's why they have established a Kickstarter project allowing anyone to pledge any amount of money, from 1$ to 5.000$. Really any amount will help, and your generosity will not go unnoticed. You can learn more about the Kickstarter and place your pledges BY CLICKING HERE. Ari and Lina still have 24 days to reunite the money. If they get enough $$$ by June 23, the documentary will be made and we'll sool all be discovering how Ilona does her own fake eyelashes or how 100 year-old Ruth finds the motivation to go to Pilates every day (no, seriously, sometimes I have to think about George Harrison for hours to feel motivated enough to do my yoga practice. I would love to know her secret). So hey ho let's go, people, let's make this happen! THE WORLD NEEDS AN ADVANCED STYLE FILM!

This or That

Do you know Mélanie Crété's amazing Tumblr This or That? Well, if you don't, you should visit it right now (if you do, you should too. There's some seriously cool new stuff). In her now iconic blog, Mélanie compares two similar things and gives you the possiblity to express yourself and say which one you prefer. She also gives you the possibility to contribute and send your own This or That. I already guest posted a long time ago (you can see my contribution clicking here), but tonight I'm posting my very own (very silly) saturday night fever This or That in here. So here we go:

This

Or

That?

Enjoy your saturday night, I sure I'm going to!

A New Kind of Ethical Fashion

Can ethical fashion actually look good? Is it really possible to wear something which contributes to take care of the environment and which is guaranteed to have been made respecting human (and animal) rights without looking like an unstylish ecological ayatollah with a soft spot for Che Guevara? Matter of fact, are there ethical T-shirts without the Che's face printed on them? The answer is YES! A bunch of amazing, stylish-yet-human designers have come up with some great ideas in the field of ethical fashion. And I happen to have written about it in L'Express.

I was lucky enough to share an afternoon with Kristy Caylor, founder of Maiyet (picture above- and yes, Daria Werbowy is a big fan) and discussed artisanship, fair trade and fashion. You can read all about it clicking here.

I also spoke to Bruno Pieters - who seemed to have vanished from earth last year but (surprise!) he was actually wondering how to make earth a better place - who has recently launched the revolutionary website HonestBy. Seriously take a look at it, it's so worth it! I know so many brands go about the ethical branding thing because it seems to be "cool" and "trendy" right now, but HonestBy is the real deal (also, I wouldn't have written about it if it wasn't the real deal): clothes for vegans, organic fabrics, total transparency when it comes to know where all the materials come from (even the zippers) and 20% of benefits invested in different charity projects. You can read it all about Mr. Pieters' new project clicking here, as well as about some other cool and truly ethical brands, including Tatiana Santo Domingo's brand Muzungu Sisters and jewellery brand Kora, founded by two Californian girls who recycle waste material in Africa to make the most alluring necklaces in the world. Tell me which one is your favourite!

Mad Girls

As a new publicity video by a big fashion "Maison" was released the other day and received the usual rave reviews from the internet community and other fashionistas (wow, isn't it glamourous, wow, isn't it set in luxurious Versailles, wow, doesn't the slow-motion make it all even more expensive-looking), I came across this Chanel advert from 1990. While I played it on repeat for about half an hour in a state of utter delight, I came to think the advertising industry is a lot like the capitalistic system (not that it takes a genius to get to that conclusion). The thing is, because we are in touch with it every day and have been for the past couple of decades, we haven't really noticed how it has degenerated into a really savage, aggressive, in-you-face BUY BUY BUY beast until it has been too late. The luxury and fashion industry uncannily mimics that evolution by treating designers as disposable kleenex, despising -or maybe fearing- the words "creativity" and "innovation" and loving more than ever the "$" sign (not that they didn't love $$$ before, but there used to be a balance between the need for profits and the idea that fashion was about more than just profits). Obviously, the advertising industry has followed.
I feel like I'm alone here but sometimes I think if I see one more advert featuring a star with grotesquely plump lips and a botoxed orgasmic facial expression shot in slow motion from a low angle I'm going to scream. Just what is the message advertisers want to convey with that kind of commercials? At best "wear this perfume and you'll get some"; at worst "man, unless you have the money and the plastic surgeon to get to look like this as well as the money to buy this perfume plus the clothes she is wearing and the Avenue Montaigne apartment she is being shot in, you won't get any. And you know if you don't get any your life is useless. So basically for all we care if you don't have money you might as well drop dead". Think about it: we are bombarded by these messages every single day several times a day, "be rich, sexy and happy or don't be".
You might think I'm now going to talk about the many advantages of Marxism-Leninism. I'll leave that for another day. You see, I like adverts. They can be fun, creative, surprising, enriching. But not in the way they are being done now (at least fashion/luxury product ads). So as I looked at more commercials from the 80's and 90's -my childhood years- I felt like I could see exactly what the modern Don Drapers have dropped in the last decades, all in order to have a more aggressive selling message and to keep the public feeling needy. In short, to keep up with capitalism. Well, if any of you Mad Men out there are reading this, know that this mad Girl would love it if you could bring back on ads the following things:

- Drama and out-of-control, ugly passions. The reason why that Egoïste ad is so striking is because it displays human flaws so unapologetically. Rage, sadness and rejection are all here complete with Prokofiev's tragic music in all its grandeur. Same with YSL's Opium ad, in which we can see addiction. Where did all that go? Seriously, when was the last time you saw a perfume ad in which the feminine characters were not embodiments of perfection?
- Political incorrectness. "A scent of dependence" was Opium's slogan in the 1980's. Nowadays, that sentence would have been banned. What? Comparing a perfume named Opium with actual opium? No way! We could compare it to sex though. Because making people think a perfume is addictive is so un-pc, but making them think a perfume will get them laid is so ok.
- An actual storyline. Have you noticed that most unusual thing? Linda's Opium ad actually tells a story in 30 seconds! Of course, that wouldn't work nowadays either, would it. A story distracting viewers from what we want them to buy is far too risky a choice.

- Speaking. Dear advertising experts: I know Keira Knightley's pout is probably much more commercially effective than having someone speak during 20 seconds. However, I do feel like it's kind of our duty to make the best out of what is, according to Aristotle, the one characteristic that makes us human, aka speech. 

- Scientific facts. in the light of what we know about advertising in 2012, this Calvins ad seems lunacy. What?! A commercial about jeans in which Brooke Shields talks about nothing but Darwinism for an entire minute? What the hell? Do we want to risk having people be inspired to pick up a book and read... and forget to consume for an entire afternoon? 

- A star making fun of herself. Catherine Deneuve is often seen as the ultimate icy-cold Parisian bourgeoise. And she knows it. And she plays on it in this very witty ad. As a matter of fact she does it so well people think she is just being herself and brand her even more as a distant, arrogant diva. But who cares. Nowadays, however, stars have to be more infallible than the Pope and they will only agree to appear in your commercial if they are portayed as modern-day demiurges (and if they get a juicy seven-figures salary for it).

- Mixing philosophy and literature with luxury. I don't know if you have noticed to what point this fantastic ad is ridiculous by today's standards: the characters are talking (sin number 1) about something which isn't the product (sin number 2) and which isn't how miserable you will feel if you don't purchase it immediately (sin number 3). They are debating about beauty and futility, about love and death... all in a philosophical tone. But the sin that outweighs all the previous sins is commited when Madame Deneuve talks about the sense of the French word "soin" in XVIII century literature. I mean come on, she is bringing classic literature and linguistics into a moisturizing ad. Then again of course we know Monsieur Saint Laurent was very fond of bringing philosophy and art into his designs and his brand in general. That's precisely why we got rid of him and replaced him with Tom Ford. 

- Portraying sexiness with a tongue-in-cheek tone. If you were to consider sexuality based exclusively on an afternoon of TV-watching,  you would conclude that the only possible way to be sexy is to pout a lot, move in slow motion (and preferably have someone choreograph your every move) and, above all else, look like being sexy is, far from being fun, a very very serious deal. I've always loved Dim ads because they used to be so cheeky in a way that is so dear to the French, and this one, even if it's in English, is just the same. "The kind of freedom French women demand"? Isn't that line just delicious? Now seriously, don't we need more, much more of this scrumptiousness in our ads today?

SHOWstudio's Fashion Revolution

Those of you who have been reading this blog for a while (merci my darlings) know the absolute devotion I feel for Nick Knight's project SHOWstudio. I have always recommended their fashion films, interactive games and livestreams because I love how they challenge all the commonplace concepts about fashion, instead relating it to art, technology, innovation, politics... Everything they do is simply fantastic.
So when I had the chance to talk to SHOWstudio's creative minds and write about them, I jumped right at it (perhaps a little too over enthusiastically). L'Express published my article, which you can read HERE. I hope you'll enjoy it (also, I hope you can read French). Tell me what you think about it!

Cameo Fever

After a little hibernation period I'm back on track, so bonjour! (actually, it was a little more than a "little" hibernation. Actually, it was no hibernation at all - I wish it had been , actually it was a work-crazed period. But what with spring being here and all that I feel all chirpy and energized. So I thought I'd share with you my newest obsession: cameos.

I'm lying; as a matter of fact it's far from my newest obsession... I've been in love with cameos for more than 10 years, since I saw one of those antique poison rings (rings with a little secret compartment to conceal poison- I guess they were quite popular during the kingdom of Louis XIV) with a cameo on it at the Louvre des Antiquaires. I don't know what it is about them: more understated than big shiny rocks and gold, they are just as exquisite (sometimes more) and, well, they have the whole Mediterranean, antique charm. The thing is, for years it was near impossible to find any cameo jewellery, so you can imagine my endless joy upon realizing they are back in fashion! Only this time they're not the classic, soigné ones: it's all about the psychedelic, rock and pop versions now. So which one would you choose?

The fantastic Tom Binns uses cameos as a staple in all his collections. Handpainted with acid colors and often mixed with stones, they have all the magic of a psychedelic trip to them. What's not to love?

I've only recently found out about Amedeo Scognamiglio's designs, and I feel like I've just been let in into some fantastic secret. Amedeo does classic-looking cameos... which are all but classic: monkeys, owls, skulls, all kinds of unexpected motives can be found in his designs.

Finally Miu Miu has just launched a capsule collection of graphic, pop-inspired cameos: bracelets, earrings and necklaces are among the oh-so-cute pieces in the collection. So go ahead, tell me about your favourite one!